重彩画,heavy colored drawing
1)heavy colored drawing重彩画
1.The research and development in new material have caused the change of the modernheavy colored drawing.新材料的研制和开发引起了现代重彩画的变革。
英文短句/例句
1.Modern Decorative Paintings-materials and Techniques of Modern Heavy-color Paintings;现代装饰画-现代重彩画的材料及技法
2.Application of Mineral Dye in Modern Chinese Ink Painting.;矿物颜料在现代中国重彩画中的运用
3.The rationality and individuality of the colores are elaborated from three aspects: contrast of color, emotional color and integration of color and ink.本文从色彩的对比,情感色彩,色墨结合等几个方面阐述了写意重彩画中的色彩理性与个性问题。
4.Starting from the history of double coloured paintings,this paper argues that“line moulding”is the main form of expression of traditional double coloured paintings.从重彩画的历史传统谈起 ,首先分析了“用线造型”是传统重彩画的主要表现手段。
5.Brief Analysis the Mondern Expression"s Form of Chinese Heavy Colored Painting"s Concept of Colors浅析中国重彩画设色理念的现代表现形式
6.Chinese Contemporary Color Painting Materials Reflections on the use of中国当代重彩画运用综合材料引发的思考
7.Re-survey the Influence of Comprehensive Materials and Techniques upon China Modern Heavy Colored Drawings重新审视综合材料和技法对中国现代重彩画的影响
8.Draw with markers, draw with markers.用彩笔画画，用彩笔画画。
9.Re-evaluation of the Colors in the Traditional Chinese Color-Painting from the Perspective of Material Science;从材料学角度重审中国传统重彩绘画色彩
10.paint in watercolors用水彩颜料画,画水彩画
11.He also absorbed painting skills from Chinese folk paintings and Western color paintings.他还学习民间绘画和西洋水彩画，注重写生。
12.Line and colour are both important in portrait painting.线条和色彩在肖像绘画中都很重要.
13.The Role of Composition Form of Landscape Painting;浅谈构图在水彩风景画中的重要作用
14.New Thought Research of Traditional Chinese Realistic Figure Painting Curriculum Teaching;工笔重彩人物画课程教学新思维研究
15.TALK ABOUT THE CREATION OF A DREAM OF RED MANSIONS" CERAMIC PAINTING PLATE谈工笔重彩全本《红楼梦》瓷板画的创作
16.Discussing from "Different Kinds with Different Colors"-- Interpreting the Development of Color Sense in Modern Landscape Painting with Strong Colors;从“随类赋彩”谈起——解读现代重彩山水画色彩观念的发展
17.Oil painting is create by colors and brush touch while traditional Chinese painting is by line and strokes.西方油画重色彩与润饰，而中国画则重线条与笔触。
18.This photograph of the painting reproduces the colours of the original extremely well.这幅画的照片极佳地重现再生原作的色彩。
相关短句/例句
modern heavy color painting现代重彩画
1.The creation ofmodern heavy color painting needs to do the research about its own features,also needs to understand its language features,which is including its decoration,compatibility and the persuit of coloring and its conception runs always through the whole creative process with various creative techniques.科技的发展、观念的更新,新的绘画材料的产生,给现代重彩画带来新的绘画语言和形式的变革,也给我们带来了多种新的视觉效果的可能。
3)abstract colored ink painting写意重彩画
1.Coloring inabstract colored ink painting and with the western scientific analysis of color for reference carries on the essence of Chinese traditional ink painting and creates a totally different effect on visual image.本文从色彩的对比,情感色彩,色墨结合等几个方面阐述了写意重彩画中的色彩理性与个性问题。
4)Chinese Ink Painting中国重彩画
1.Application of Mineral Dye in ModernChinese Ink Painting.;矿物颜料在现代中国重彩画中的运用
5)Strong color drawing painting工笔重彩画
6)An Analysis of Double Coloured Paintings重彩画浅析
延伸阅读
彩画中国古代建筑对木构件油饰彩绘的总称。包括油活和画活,前者指单色油饰,后者指彩色装饰性绘画。中国古代建筑是色彩的建筑,除去材料天然色泽外,主要是运用油饰和绘画手段来突出这一特征的。据文献记载，早在公元前11世纪的商代宫殿建筑中就已用彩色编织物做建筑装饰。直接在建筑木构件上进行油饰彩绘，可以上溯到春秋时期。秦汉时期，有关这方面的记载更多也更明确。张衡《西京赋》：绣栭云楣，镂槛文。故其馆室次舍,彩饰纤缛,裛以藻绣，文以朱绿。《西京杂记》："椽榱皆绘龙蛇萦绕其间"和"柱壁皆画云气花蘤，山灵鬼怪。"从汉明器上也能大约看到朱、白两色的彩绘图案。这一时期彩画纹样中大量采用绫锦纹，说明建筑彩画直接脱胎于木衣绨绣的做法。南北朝佛教艺术得到长足发展,受西域和古印度影响,产生了许多新的建筑装饰图案，如卷草、莲瓣、宝珠等。隋唐五代建筑彩画多用丹粉刷饰及七朱八白，风格雄健。现存实例和壁画里的建筑都是朱柱素壁，仅在斗拱小面上有少量其他色彩,有时在柱子中部用束帛形彩画。两宋时期建筑彩画,无论在技术和用色上都有很大发展,一反隋唐时期古朴的丹粉刷饰而日趋华美，"绚丽如织绣"。宋《营造法式》较详尽地记录了这一成就，并附有图样，说明了 6种主要的彩画形制。明清在两宋基础上进一步发展,把建筑彩画推向新的阶段,其用色和图案日趋程式化、标准化。根据图案组织，可分和玺、旋子和苏式彩画数种，分别用在不同等级和性质的建筑上。中国现存最早的建筑彩画是山西五台山佛光寺大殿外檐额枋上的七朱八白。四川成都五代王建墓墓门券面上的彩画也是早期遗物之一。甘肃敦煌石窟北宋初（11世纪后半叶）几座窟檐内部有保存十分完整的彩画，是宋以前最重要的彩画遗存。辽宁义县奉国寺大殿、山西大同华严寺薄伽教藏殿有少量辽代彩画。此外所见绝大多数都是明清作品。木结构上涂刷油漆原来是一种防护措施，后来成了美化建筑物的重要手段,并具有"明贵贱,辨等级"的封建等级制的意义。以柱子为例，春秋战国时期就有天子用红色,诸侯用黑色,大夫用青色，一般官吏用黄色的规定。宋代规定百姓家屋不得用五彩作装饰。这样在不同程度上影响了建筑彩画艺术的发展。
