中国诗学,Chinese poetics
1)Chinese poetics中国诗学
1.The Demanding on Chinese Poetics under English and American Experience——On Wen Yi-duo and New Poetry s Normalization;“英美体验”下的“中国诗学”诉求——论闻一多与新诗“规范化”
2.Development ofChinese poetics in the 20th century;20世纪中国诗学研究历程
3.Zhu Ziqing s theory of "poems can be used to express one s ambitions" can be regarded as the earliest programmatic one onChinese poetics.在历代学者研究基础上,拟从"赋诗言志"到"作诗言志"的历程看中国诗学的产生这一角度作出论述,试图进行比较系统和整体的把握。
英文短句/例句
1.Interpreting "Transformation of Poem Style" -Concepts of Poet History in Chinese Poetics;释“诗体正变”——中国诗学之诗史观
2.From Inditing to Poetizing: to make know one s ambitions--On Development of Chinese Poetics;从赋诗言志到作诗言志——中国诗学产生历程考述
3.My View on “Poems Expressing Ambitions” --A Moral Proposition of Chinese Poetry;“诗言志”也辩——中国诗学的一个人格命题
4."On the Power of Romantic Poetry" and the Modern Transformation of China’s Poetics《摩罗诗力说》与中国诗学的现代转型
5.Approaching the Modernity Two in Chinese Poetics: Rethinking a Poetics of Chinese Modernity;中国诗学现代2刍议——再谈中国现代性诗学
6.On the Reflection of the Qing Dynasty Poetics about the Change and Resumption of the Chinese Poetics;论清代诗论对中国诗学变复问题的反思
7.A Critical Discussion on the Notion of "Non-fiction" in Stephen Owen s Study on Chinese Poetics;辩诗:论宇文所安中国诗学研究之非虚构观
8.Fang Dongshu Comments on Poetry by Applying the Term of "Soul" and Imagery Tradition of Chinese Poetics;方东树的“魂魄”论诗与中国诗学的“象喻”传统
9.Poetry of Chinese Ethnic Minority Group: From the Perspective of Sanskrit Poetics;梵语诗学视野中的中国少数民族诗歌
10.On Theory of Form of Modern Chinese Poetics;论中国现代诗学的诗式理论及其发展
11.On the Poetic Revolution of the Modernism in the Chinese Poetry in the 20th Century;中西诗学从对立走向融合——论20世纪中国现代主义诗歌的“诗学革命”
12.Different Essence of English Metaphysics Poetry and Chinese Xuan Poetry英国玄学派诗歌与中国玄言诗的不同玄机
13.A Comparison between T.S.Eliot s Impersonal Theory and Traditional Chinese Poetics;艾略特“非个人化”诗学与中国传统诗学之比较
14.The Aesthetics of Chinese Classic Poetry and Ezra Pound s Modernist Poetics;中国古典诗歌美学与庞德现代主义诗学
15.Ancient Chinese Poetics Pursuing Grandness;中国古代诗学的宏大性——兼论西方诗学之异
prehend" and the Poetics of Song Dynasty--One of the Theses on Zen and Chinese Ancient Poetics;“悟”与宋代诗学——禅宗与中国古代诗学之一
17.Explanation of Image in Symbol Poetics of Chinese Modern Poetry School in 190s;三十年代中国现代诗派象征诗学中的意象阐释
18.National Originals of Chinese Poetry, Poetics and Their influence on Modern American Poetry;中国诗、诗学的民族原创及其对于美国现代诗的影响
相关短句/例句
Chinese poetry中国诗学
1.The paper expositedChinese poetry impact on Pound poems from image comparion between China and Western,theChinese poetry translated by Pound,imitation of theChinese poetry,as well as works Montage practices.试从中西意象论比较、庞德译中国诗、仿体的中国诗,以及作品中蒙太奇手法的运用四个方面论述中国诗学对庞德诗歌的影响。
3)ancient Chinese poetics中国古代诗学
1.An imagery mood represents an essential all-inclusive scope ofancient Chinese poetics.意境是中国古代诗学的核心的、具有总体涵盖性的范畴,但其由多相的碎片化存在到总体性的核心范畴,经过一个漫长的生产、建构过程。
4)modern Chinese poetics中国现代诗学
1.The language constitution ofmodern Chinese poetics is coincident with the formation of modern Chinese language,which is made of classical concept and terms of ancient Chinese language,modern colloquialism and western poetic speeches.中国现代诗学在语言构成上与现代汉语的形成是一致的,它主要由古汉语中的经典概念和术语、现代白话和西方诗学话语及其言说方式构成。
2.And it has an great significance to the Beginning synthetical study ofmodern Chinese poetics.康白情的《新诗底我见》是一篇综合性研究的诗论,它对于中国现代诗学的综合研究具有开创性意义,因此,《新诗底我见》是中国现代诗学综合研究的开端之作。
3.The question is how the creators absorbed and transformed the foreign poetics into a part ofmodern Chinese poetics according to classical Chinese poetics, then we can analyses its success or failure, advantages and disadvantages.本论文是对外来诗学在现代中国语境中的影响研究，重在梳理外来诗学在中国的传播和发展线索，进而探究它启动中国现代诗学转型的文化机制。
5)Chinese symbol poetics中国象征诗学
6)Chinese classical poetics中国古典诗学
1.This paper,based on accurate historical facts,argues thatChinese classical poetics,with its unique oriental aesthetic perspective,has exerted a great influence on the movement of Imagism in poetry initiated by Ezra Pound in the early 1900s.博大精深光辉灿烂的中国古典诗学以其独特的东方审美意识,极大地影响和推动了由艾兹拉。
延伸阅读
中国散文诗学会中国散文诗学会1985年5月13日在北京成立，由柯蓝、郭风任会长。荣誉会长艾青、冰心亲自出席并题写了贺词。来，在全国形成了一支强大的群众性散文诗创作队伍，他们创作了大量散文诗作品。二十年来，由柯蓝会长亲自倡导，举办“改稿笔会”，“同题散文诗”颁奖大会，创办“香港中国散文诗”杂志。柯蓝在近五十年的创作实践中，开创了“联组体”、“同题体”、“政论体”、“报告体”、“旅游体”等散文诗新形式，并提出“载体论”，让散文诗与其他艺术相结合，从而刷新了中国散文诗的面貌。中国散文诗学会为全国群众性散文诗学术团体，是散文诗人、散文诗理论家、散文诗编辑家、散文诗翻译家和散文诗教育工作者自愿结合的社会团体，是非营利性的社会组织。 近年来，随着校园散文诗创作的不断发展，校园散文诗人不断涌现，中国散文诗学会拟成立中国散文诗学会校园分会，其对象涵盖高校和中学，是国家级协会的分支组织。
