宋元山水画,paintings of mountains and waters in Song-Yuan Dyansties
1)paintings of mountains and waters in Song-Yuan Dyansties宋元山水画
1.And with thepaintings of mountains and waters in Song-Yuan Dyansties as the model and example, the text make some probe into its formation, its artistic achievement and the artistic conception’ beauty of traditional Chinese arts.本文将意境这一艺术形象进行了尝试性的阐述,并以意境塑造的典范——宋元山水画为例展开,初步探讨宋元山水意境形成的原因、达到的艺术成就以及中国传统艺术的意境之美。
英文短句/例句
1.The Scenery Has the Boundary--Song Yuan Landscape Painting Composition Evolution and Drawing Thought;山水有境——宋元山水画构图演变及绘画思想研究
2.The Distant,Hidden and Occult Artistic Concepts--on the consciousness of space in the landscape paintings in Song and Yuan Dynasty;远境·藏境·玄境——论宋元山水画所表现的空间意识
3.Song and Yuan Style Ink Pen and Ink Landscape Painting Tradition and Innovation宋元水墨山水画笔墨风格的继承与创新
4.Study of Ideas and Opinions in Chinese Landscape Painting from Wei, Jin to Song, Yuan Dynasties;魏晋至宋元时期中国山水画思想观念研究
5.The Integration:Wang Shi-gu s Compendium of Chinese Landscape Painting in the Tang,Song,Yuan and Ming Dynasties;集其大成:王石谷对唐宋元明四朝山水画的总结
6.The Poets’ Self-presence in the Poems for Landscape Paintings in the Song Dynasty;论宋代题山水画诗“画中有我”的自寓性
7.On the Formation of the Idea of Adoring Abstraction in the Landscape Paintings and the Poems for Them in Song Dynasty;论宋代山水画及题山水画诗中尚意观的形成
8.Mountains and water painting, too, reached a peak in the Song Dynasty.到了宋代，山水画达到鼎盛，
9.The Plainness and Pedestrianism--The Orientation of Aesthetics of Song Dynasty Scenery Painting;平远尚淡——宋代山水画论的审美取向
10.Analysis of the Composition Features of the Landscape Paintings in the Five Dynasties and Song Dynasty;浅析五代、两宋山水画的空间布局特征
11.Differences within Similarities--Reading Northern Song Landscape Paintings and Barbierian School同中之异——读北宋山水与巴比松画派
12.The Influence of the Geomantic Omen on Landscape Paintings of Five Dynasties to Early Song Period;由五代宋初山水画论看风水学对山水画成熟的影响
13.The Confucianism and its influences upon the paintings in the Song dynasty;理学人格对宋代山水画审美理想的影响
14.The Spirit of Scholars and the Aesthetical Trend of Landscape in the Song Dynasty;两宋士人的书卷精神与山水画的审美取向
15.The tendency towards conscious simplicity in landscape paintingsduring the song Dynasty;试论两宋时期山水画的自觉简略化倾向
16.The Confucianism and criteria of the paintings in the Song;两宋时期理学对山水画批评标准的影响
17.A Comment on the Cun Method of Chinese Landscape Paintings in the Period of Five Dynasties and Early North Song Dynasty;五代北宋初期中国山水画创作皴法简评
18.Form,Spirit and Romantic Charm--The Tendency of Evaluating the Natural Beauty of the Arts in Han, Wei,Tang and Song Dynasties Landscape Painting and Poem;形、神、韵——汉魏唐宋山水诗画艺术自然审美走向
相关短句/例句
Song Dynasty landscapes宋代山水画
1.With analysis of works of representative landscape painters, beginning with the relation between writing brush and Chinese ink inSong Dynasty landscapes, this thesis researches how those landscapes reflect the realistic colored light changes, from the angle of the ancient Chinese astronomy changes in concrete nature images.本文从宋代山水画笔墨关系入手，结合宋代具有代表性山水画家的作品，从具体自然物象阴阳变化关系的角度，去研究宋代山水画对现实中色光变化的表现特征。
3)landscape in Song dynasty北宋山水画
4)The Southern Song Landscape Painting南宋山水画
5)Song academy landscapes宋代院体山水画
1.However,the inspiration is acquired by the broad space,Vacancy,translucent fresh space that is available in theSong academy landscapes.而宋代院体山水画所具有的广阔,空灵,透亮清新的空间感觉给了我们很好的启发。
6)Song landscapes aesthetic宋代山水画审美
延伸阅读
宋画吴冶1.据《庄子．田子方》载，宋元君召集众画家作画，大家都敬立作画，只有一人回舍，解衣伸腿而坐。宋元君认为他是真正的画师。又据《吴越春秋．阖闾内传》载，吴人干将﹑莫邪夫妇善铸剑。后因以"宋画吴冶"作为精巧神妙之物的代称。
