司空图,Sikong Tu
1)Sikong Tu司空图
1.OnSikong Tu s Literature Thoery and the Influence from the Taoist Thoughts;简论司空图的文学理论及其所受道家思想的影响
2.The Achievements and Limits ofSikong Tu s Thoughts on Elegant Poetry;司空图雅化诗学思想的成就与局限
英文短句/例句
1.A Brief Approaching to the Differences in the Theories of Simplify Poetics of Liuxie and Sikongtu and Yanyu;略论刘勰司空图严羽“尚简”诗学的差异
2.Nature-Essence of the Aesthetic Thought of Si Kongtu about Poems;自然——司空图诗歌美学思想的本质
3.A study of the extraction, religion and writings of Sikong - Tu;司空图家世、信仰及著述诸问题综考
4.On the Development of Theory of Poetic Flavor by Sikong Tu′s "Essence beyond Flavor"论司空图“味外之旨”对诗味论的发展
5.Vast Imagination out of Vacancy--On”FewWords to Highest End”Initiated by Si Kongtu;“空白”之中自有佳境——谈司空图“不著一字,尽得风流”
6.On the Grand and Beautiful Features of Poetic Styles and Its Philosophical and Cultural Foundations;论司空图《诗品》“雄浑美”的特征及其哲学文化基础
7.On Zen and Artistic Prospect of Si Kongtu s Studies of Twenty-four Poetic Styles;诗境禅心——司空图《二十四诗品》中的禅与境
8.On the Imaginary Criticism in SI Tu-kong s Twenty-four Shi Pin;司空图《二十四诗品》中的意象批评模式研究
9.On the Translation Techniques;Adopted in Professor Wang Hongyin′s--A Systematic Study on Si Kongtu′s Poetics in "The Realm of Poetry";遇之自天,泠然希音——司空图《诗品》英译艺术探析
10.A Study on English Translations of The Realm of Poetry by Sikong Tu;司空图《诗品》英译比较研究——以第二十品《形容》为例
11.Express Incisively and Vividly without One Word --Discuss the Work 《SHiPIN,Implicitness》by Si kongtu;不着一字 尽得风流——浅论司空图《诗品·含蓄》
12.The Prototype of the Thinking Model Reflected in Poetic Criticism by Sikong Tu;司空图《诗品》篇天人合一思维模式的原型追溯
13.SIKONG Tu s theory on"image out of images":thinking pattern and methodological significance;司空图“象外之象”的思维模式及方法论意义
14.A summary and analysis of arguments about the author of The Twenty-four Moods of Poetry;司空图《二十四诗品》研究及其作者辨伪综析
15.An Understanding of Theories about Style in SiKong tu s "Siping";泠泠清音 趣味澄夐——解读司空图《诗品》之“实境”风格论的隐深意义
16.Discussion the Pervasion and Influence each other on Si Kongtu s Twenty-four Poetry Style and Ancient Chinese Calligraphy Theories;论司空图《二十四诗品》与中国古代书论的契合及相互影响
17.The Connections and Similarities of Style Asthetic between Su shi and Sikong Tu;苏轼之风格论与司空图的相似性——苏轼《书黄子思诗集后》风格论意义
18.On Sikong Tu s Literature Thoery and the Influence from the Taoist Thoughts;简论司空图的文学理论及其所受道家思想的影响
相关短句/例句
Si Kongtu司空图
1.On Zen and Artistic Prospect ofSi Kongtu s Studies of Twenty-four Poetic Styles;诗境禅心——司空图《二十四诗品》中的禅与境
2.Vast Imagination out of Vacancy——On”FewWords to Highest End”Initiated bySi Kongtu;“空白”之中自有佳境——谈司空图“不著一字,尽得风流”
3)SI Kong-tu司空图
1.A Brief Comment on the Three S s ofSI Kong-tu;略论司空图的“三外”说
2.We can gain the following enlightenment from decoding the wonderful description of ″Poetry Quality″ written bySI Kong-tu: To create ″magnificent″ state,an author should develop powerful spiritual style,mighty magnanimity and impassioned emotional state;and choose ″bigness″ in space,″permanence″ in time and ″firmness″ in strength.解读司空图《二十四诗品》中玄妙的描述,我们可以受到启发:在写作中创造"雄浑"的境界,作者应该培养雄健浑厚的精神、恢弘豪壮的气度和激昂狂放的情感,选择"大而强"的物象,在构思中神与物游,进入创作主体与创作对象物我同构的心物和谐状态,创造"至大至刚"的意象或意境等。
3.The "grandeur and beauty" in Si Kong-tu’s Poetic Styles is characterized by three aesthetic aspects: the aesthetic subjects have grand spiritual quality, great and heroic vision and impassioned emotional trait; the aesthetic realm has the feature of "greatness and firmness"; the subject is harmoniously blended with the objects.司空图《诗品》中的"雄浑美"有三个方面的审美特征:审美主体具有雄健浑厚的精神品格、恢弘豪壮的精神气魄和激烈高昂的感情特色;审美境界具有"至大至刚"的审美特征;心物关系上,具有物我同构、神与物游、物大我亦大的特征。
4)Poems by SIKONG Tu司空图诗
5)Sikong Tu"s routine of rhyming司空图诗韵
6)Simple Analysis Of SiKong Tu s Poems论司空图诗
延伸阅读
司空图司空图（837～908）中国唐代诗论家，诗人。字表圣，自号耐辱居士，知非子。河中（今山西永济）人。咸通十年（869）进士，官至知制诰、中书舍人。唐末政局混乱他归居中条山王宫谷别墅中，游吟于泉石林亭间。曾作《休休亭记》以示放达。朱全忠灭唐，召他为礼部尚书，不就。朱杀哀帝，他不食而卒。司空图有文集和诗集。他的诗论代表作是《二十四诗品》。其中把诗歌的艺术风格和意境分为雄浑、冲淡、纤秾、沉着、高古、典雅、洗练、劲健、绮丽、自然、含蓄、豪放、精神、缜密、疏野、清奇、委曲、实境、悲慨、形容、超诣、飘逸、旷达、流动等24品类，每品用12句四言韵语来加以描述，也涉及作者的思想修养和写作手法。与钟嵘《诗品》以品评作家作品源流等的内容不同。《二十四诗品》收于《全唐诗》，对后世影响深远。
