【墨竹】
元 (传)檀芝瑞 雪竹图 册页
铭文：一山一宁 (1247–1317)
冻雪希希，万玉森森，岁寒一节，照映聚林。
一山。
明 宋克 万竹图 卷A Myriad BambooSong Ke (1327–1387)Ming, 1369Handscroll; ink on paper
元明 倪瓒 墨竹图 册页A Branch of Bamboo Ni Zan (1306–1374) Yuan-Ming, ca. 1369 (?) Album leaf; ink on paper
题词：云林生写，腊月九日。
铭文：钱惟善
故人能写竹，标格似湖州，静对西窗下，清风满纸秋。
曲江居士题。
元 吴镇 仿东坡〈风竹图〉 轴 Bamboo in the Wind, after Su ShiWu Zhen (1280–1354)Yuan, 1350Hanging scroll; ink on paper
标签: 狄学耕 (1820–1897)
梅花道人《墨竹》
题词：吴镇 (1280–1354)
东坡先生守湖州日，游何道两山，遇风雨。迴憩贾耘老溪上澄晖亭，命官奴执烛，画风竹一枝于壁间。后好事者刻于石，寘郡庠。予游霅上，因摩挲断碑，不忍捨去。常忆此本，每临池，辄为笔游而成，仿佛万一。遂为作此枝以识岁月也。梅道人时年七十一，至正十年庚寅岁夏五月十三日竹醉日书也。
【朱梅】
北宋 王岩叟 梅花图卷Ink Plum Blossoms Yansou (unidentified) Southern Song-Yuan, late 13th to mid-14th centuryHandscroll; ink on silk
元 邹复雷 春消息图（另开窗口）A Breath of SpringZou Fulei (active mid–14th century)Yuan, 1360Handscroll; ink on paper
铭文：弘历, 乾隆 (1711-1799; reigned 1735–96)
一气为春去必回，谁将消息付寒梅；蕊珠仙妬女夷巧，偷先[去声]5东风特地来。
用图间元韵，御题。
签名: 山居道人
蓬居何处索春回，分付寒蟾伴老梅；半缕烟消虚室冷，墨痕留影上窗来。
至正庚子新秋。
【花卉】
元 钱选 来禽栀子图 卷Crabapple and GardeniaQian Xuan (ca. 1235–before 1307)Yuan, late 13th–early 14th century Handscroll; ink and color on paper
标签 永惺 (1752–1823)
钱舜举《来禽栀子》，赵松雪题语。诒晋斋。
题跋： 赵孟頫 (1254–1322)
来禽、栀子，生意具足，舜举丹青之妙，于斯见之。其他琐琐者，皆其徒所为也。孟頫。
【鸟类和动物】
南宋 毛益 柳燕图 团扇Swallows and Willow Tree Mao Yi (active 1160–1175)Southern Song, late 12th centuryFan mounted as album leaf; ink on silk
元 赵孟頫 二羊图卷Sheep and GoatZhao Mengfu (1254–1322) Yuan, ca. 1300 Handscroll; ink on paper
铭文：弘曆, 乾隆 (1711–1799; reigned 1735–96)
子昂常画马，仲信却求羊。三百群辞富，一双性具良。
通灵无不妙，拔萃有谁方。跪乳畜中独，伊人寓意长。
甲辰新正月，御题。
元 无名氏 寒林牧羊图 轴Wintry Trees and SheepYuan, mid-14th centuryHanging scroll mounted on panel; ink on silk
画外标签：罗振玉 (1866–1940)
唐人《寒林牧羊图》真蹟。营邱、河阳皆从此出，旬无上神品。雪堂珍藏，罗振玉题。
元 无名氏 三马图 册页Three Horses Yuan, 13th–14th centuryAlbum leaf; ink and color on silk
画外标签：赵孟頫 (1254–1322)
元，赵孟頫，字子昂，号松雪道人，湖州人。官至翰林学士承旨，谥文敏。以书名天下，其画山水、花竹、人马尤精妙。元史本传。
宋元绘画大展（花鸟画）
宋元绘画大展（宗教画）
【道教绘画】
元 (传)何澄 下元水官图 卷Retinue of the Minister of WaterHe Cheng (1224–after 1315)Yuan, early 14th centuryHandscroll; ink on paper
元 龚开 中山出游图 卷（另开窗口）Zhongshan Going on ExcursionGong Kai (1222–1307)Yuan, late 13th–early 14th centuryHandscroll; ink on paper
元 无名氏 庐媚娘像 轴Portrait of Lu Meiniang (Woman in White)Yuan, 14th centuryHanging scroll mounted on panel; ink and color on silk
南宋/元 无名氏 太乙救苦天尊像 轴The Celestial Worthy TaiyiSouthern Song-Yuan, 13th–14th centuryHanging scroll mounted on panel; ink and color on silk
【佛教故事】
北宋 李公麟 醉僧图卷（南宋画，另开窗口）The Drunken MonkTraditionally attributed to Li Gonglin (ca. 1049–1106)Southern Song, mid-12th–mid-13th centuryHandscroll; ink and color on paper
元 无名氏 佛像图 轴Bodhisattva and AttendantsYuan, 14th centuryHanging scroll mounted on panel; ink and color on silk
元 无名氏 提婆王图 轴Portrait of a Deva KingYuan, 14th centuryHanging scroll mounted on panel; ink on silk
【佛教绘画】
北宋 敦煌 南无地藏菩萨像 轴Ksitigarbha BodhisattvaNorthern Song, late 10th–early 11th centuryHanging scroll mounted on panel; ink and color on silk
后大理国 释迦牟尼佛会图 卷The Buddha Addressing Yamaraja at KusinagaraLater Dali kingdom, 12th–13th centuryHandscroll; ink, color, and gold on paper
南宋 (传)梁楷 达摩渡江图 轴Bodhidharma Crossing the Yangzi on a ReedTraditionally attributed to Liang Kai (late 12th–early 13th century)Southern Song, mid-13th centuryHanging scroll mounted on panel; ink on silk
南宋 (传)胡直夫 释迦出山图 轴Sakyamuni Emerging from the MountainsTraditionally attributed to Hu Zhifu (13th century)Southern Song, mid-13th centuryHanging scroll mounted on panel; ink on paper
南宋 无名氏 蚬子捕虾图 轴Master Clam Catches a ShrimpSouthern Song, mid-13th centuryHanging scroll mounted on panel; ink on paper
南宋/元 (传)无准师范 达摩图像 轴Portrait of BodhidharmaTraditionally attributed to Wuzhun Shifan (1178–1249)Southern Song-Yuan, 13th–14th centuryHanging scroll mounted on panel; ink on silk
【罗汉图】
南宋 梵隆 十六應真圖 卷Sixteen LuohanFanlong (active mid-12th century)Southern Song, mid-12th centuryHandscroll; ink on paper
南宋 林庭桂 罗汉洗濯图 轴Luohan LaunderingLin Tinggui (active late-12th century)Southern Song, 1178Hanging scroll mounted on panel; ink and color on silk
南宋 周季常 天台石桥图 轴The Rock Bridge at Mount TiantaiZhou Jichang (active late-12th century)Southern Song , 1178Hanging scroll mounted on panel; ink and color on silk
元 无名氏 拂尘罗汉像 轴Luohan Holding a Fly Whisk, with AttendantYuan, 14th centuryHanging scroll mounted on panel; ink and color on silk
元 无名氏 宾度罗跋罗堕闍尊者像 轴Pindola Bharadvaja, the First Venerable LuohanYuan, 1345Hanging scroll; ink and color on silk
元 无名氏 半託迦尊者像 轴Panthaka, the Tenth Venerable LuohanYuan, 1345Hanging scroll; ink and color on silk
元 无名氏 阿氏多尊者像 轴Ajita, the Fifteenth Venerable LuohanYuan, 1345Hanging scroll; ink and color on silk
元 无名氏 大阿罗汉尊者像 轴The Great Luohan, the Venerable SeventeenthYuan, 1345Hanging scroll; ink and color on silk
元 无名氏 罗汉像 轴Seated LuohanYuan, 1345 (?)Hanging scroll; ink and color on silk
元 无名氏 罗汉图 轴Luohan Meditating in a GrottoYuan, 1345(?)Hanging scroll; ink and color on silk
【肖像-睢阳五老】
北宋 无名氏 王涣像 册页（另开窗口）Portrait of Wang HuanNorthern Song, mid-11th centuryAlbum leaf; ink and color on silk
北宋 无名氏 冯平像 册页（另开窗口）Portrait of Feng PingNorthern Song, mid-11th centuryAlbum leaf; ink and color on sil
【宫廷生活】
唐 周昉 内人双陆图卷（南宋画，另开窗口）Palace Ladies Playing Double-sixesTraditionally attributed to Zhou Fang (ca. 730–ca. 800)Southern Song, late 12th–mid-13th centuryHandscroll; ink and color on silk
周文矩 浴婴仕女图 团扇（南宋画）Palace Ladies Bathing InfantsTraditionally attributed to Zhou Wenju (active mid-10th century)Southern Song, late 12th to mid-13th centuryFan mounted as album leaf; ink and color on silk
南唐 周文矩 宫女图 团扇（宋人画）Palace Ladies and AttendantsTraditionally attributed to Zhou Wenju (active mid-10th century)Southern Song, late 12th to mid-13th centuryFan mounted as album leaf; ink and color on silk
周文矩 重屏图卷（另开窗口）The Double ScreenTraditionally attributed to Zhou Wenju (active mid-10th century)Ming, 14th centuryHandscroll; ink and color on silk
元 赵雍 临李公麟人马图卷Horse and Groom, after Li GonglinZhao Yong (1291–1361)Yuan, 1347Handscroll; ink and color on paper
元 钱选 贵妃上马图 美国弗利尔美术馆藏Consort Yang Mounting a HorseTraditionally attributed to Qian Xuan (ca. 1235–before 1307)Yuan-Ming, 14th centuryHandscroll; ink and color on paper
元/明 无名氏 辛毗引裾图 轴 105.7 x 49.7 cmXin Pi Tugging the Emperor"s RobeYuan-Ming, 14th centuryHanging scroll mounted on panel; ink and color on silk
原题名：王文治 (1730–1802) –王维《昭君出塞图》。王文治。
【诗歌与风俗画插图】
北宋 (传)李公麟 陶渊明归隐图卷 美国弗利尔博物馆藏（另开窗口）Tao Yuanming Returning to SeclusionTraditionally attributed to Li Gonglin (ca. 1049–1106)Northern Song, early 12th centuryHandscroll; ink and color on silk
晋(传)顾恺之 洛神图 卷（南宋画，另开窗口）Nymph of the Luo RiverTraditionally attributed to Gu Kaizhi (ca. 345–406)Southern Song; mid-12th to mid-13th centuryHandscroll; ink and color on silk
南宋 (传)马和之 幽风七月图 卷（南宋/元画，另开窗口）Illustrations of “Seventh Month” from the “Odes of Bin”Traditionally attributed to Ma Hezhi (active mid- to late 12th century)Southern Song-Yuan, mid-13th to mid-14th centuryHandscroll; ink on paper
元 程棨 摹楼璹耕作图（局部，另开窗口）Tilling Rice, after Lou ShouTraditionally attributed to Cheng Qi (active mid- to late 13th century)Yuan, mid- to late 13th centuryHandscroll; ink and color on paper
元 程棨 摹楼璹蚕织图（局部，另开窗口）Silk Weaving, after Lou ShouTraditionally attributed to Cheng Qi (active mid- to late 13th century)Yuan, mid- to late 13th centuryHandscroll; ink and color on paper
李公麟 货郎婴戏图（元人画）Knick-knack Peddler and Playing BoysTraditionally attributed to Li Gonglin (ca. 1049–1106)Yuan, early to mid-14th centuryAlbum leaf; ink on silk
【草原生活】
宋 （传）张戡 解鞍调箭图 轴Removing the Saddle and Inspecting the ArrowsTraditionally attributed to Zhang Kan (active mid-10th century)Song, 12th centuryHanging scroll mounted on panel; ink and color on silk
（传）张戡 猎骑图 轴（南宋/元人画）Hunters on HorsebackTraditionally attributed to Zhang Kan (active mid-10th century)Southern Song-Yuan, mid-13th to 14th centuryHanging scroll mounted on panel; ink and color on silk
宋元绘画大展（人物画）
元 赵孟頫 浴马图 卷 16.8 x 87 cm 美国弗利尔美术馆藏
Horses and Grooms Crossing a River
Artist: Zhao Mengfu, 1254-1322
Medium: Ink and color on paper
Dimensions: H x W (image): 16.8 x 87 cm (6 5/8 x 34 1/4 in)
Type: Painting
Origin: China
Topic: horse, Yuan dynasty (1279 - 1368), Ming dynasty (1368 - 1644), water, river, China, Chinese Art
Credit Line: Purchase
On View: Freer, Gallery 13: Style in Chinese Landscape Painting: The Yuan Legacy
Date: 14th century
Period: Yuan or early MIng dynasty
Accession Number: F1931.3
Data Source: Freer Gallery of Art and Arthur M. Sackler Gallery
元 赵孟頫 人马图卷 39.1 x 237.2 cm 美国弗利尔美术馆藏
Grooms and Horses
Artist: Zhao Mengfu, 1254-1322
Medium: Handscroll mounted on panel; ink and color on silk
Dimensions: H x W: 39.1 x 237.2 cm (15 3/8 x 93 3/8 in)
Type: Painting
Origin: China
Topic: horse, China, Chinese Art
Credit Line: Gift of Mrs. Elizabeth Lorentz
Accession Number: FSC-PA-223
Data Source: Freer Gallery of Art and Arthur M. Sackler Gallery
元 赵孟頫 二羊图卷 25.2 x 48.7 cm 美国弗利尔美术馆藏
Sheep and Goat
Artist: Zhao Mengfu, 1254-1322
Medium: Ink on paper
Dimensions: H x W (image): 25.2 x 48.7 cm (9 15/16 x 19 3/16 in)
Type: Painting
Origin: China
Topic: goat, Yuan dynasty (1279 - 1368), sheep, China, Chinese Art
Credit Line: Purchase
Date: ca. 1300
Period: Yuan dynasty
Accession Number: F1931.4
Data Source: Freer Gallery of Art and Arthur M. Sackler Gallery
铭文：弘曆, 乾隆 (1711–1799; reigned 1735–96)
子昂常画马，仲信却求羊。三百群辞富，一双性具良。
通灵无不妙，拔萃有谁方。跪乳畜中独，伊人寓意长。
甲辰新正月，御题。
题跋：良琦
余尝读杜工部《画马讚》云：「良工惆怅，落笔雄才」，未尝不歎世之画者难其人也。晋唐而下，姑未暇论，至如近代赵文敏公书画，俱造神妙。今观此图，后复题曰，「虽不能逼近古人，气韵有得」，非公夸言，真妙品也。好事者其慎保诸。吴龙门山樵良琦，寓玉峰远绿轩题，时为洪武十有七年秋七月十九日也。
元 赵孟頫 葡萄藤 98.4 x 42.5 cm 美国弗利尔美术馆藏
Grapevines
Artist: Wen Riguan, active late 13th century
Inscription: Zhao Mengfu, 1254-1322
Medium: Ink on silk
Dimensions: H x W (image): 98.4 x 42.5 cm (38 3/4 x 16 3/4 in)
Type: Painting
Origin: China
Topic: Yuan dynasty (1279 - 1368), grape, China, Chinese Art
Credit Line: Purchase
Date: late 13th-early 14th century
Period: Yuan dynasty
Accession Number: F1960.2
Data Source: Freer Gallery of Art and Arthur M. Sackler Gallery
【赝品画】与【伪作】
元 赵孟頫 天马图 卷（晚明画）30 × 469 cm 美国弗利尔美术馆藏
Celestial Horses
Artist: Zhao Mengfu, 1254-1322
Medium: Ink and color on silk
Dimensions: H x W (image): 30 x 469 cm (11 13/16 x 184 5/8 in)
Type: Painting
Origin: China
Topic: horse, Ming dynasty (1368 - 1644), man, China, Chinese Art
Credit Line: Gift of Charles Lang Freer
Date: 17th century
Period: Late Ming dynasty
Accession Number: F1909.198
Data Source: Freer Gallery of Art and Arthur M. Sackler Gallery
元 赵孟頫 围猎图（晚明画） 美国弗利尔美术馆藏
An Imperial Hunt
Artist:Zhao Mengfu, 1254-1322
Medium:Ink and color on silk
Type:Painting
Origin:China
Topic:landscape, hunting, Ming dynasty (1368 - 1644), mountain, China, blue-and-green style
Credit Line:Gift of Charles Lang Freer
Date:16th-17th century
Period:Late Ming dynasty
Accession Number:F1911.204
Data Source:Freer Gallery of Art and Arthur M. Sackler Gallery
明人画 赵孟頫猎人图
A Tartar Huntsman on His Horse
Artist: Zhao Mengfu, 1254-1322
Medium: Ink and color on silk
Dimensions: H x W (image): 124.5 x 88.2 cm (49 x 34 3/4 in)
Type: Painting
Origin: China
Topic: hunting, horse, Ming dynasty (1368 - 1644), China, Chinese Art
Credit Line: Gift of Charles Lang Freer
Date: 15th century
Period: Ming dynasty
Accession Number: F1911.266
Data Source: Freer Gallery of Art and Arthur M. Sackler Gallery
明人画 赵孟頫游骑图
Three Horsemen Riding under Willows
Artist: Zhao Mengfu, 1254-1322
Medium: Ink and color on silk
Dimensions: H x W (image): 186.2 x 95.1 cm (73 5/16 x 37 7/16 in)
Type: Painting
Origin: China
Topic: landscape, tree, horse, Ming dynasty (1368 - 1644), man, China, Chinese Art
Credit Line: Gift of Charles Lang Freer
Date: 15th century
Period: Ming dynasty
Accession Number: F1909.163
Data Source: Freer Gallery of Art and Arthur M. Sackler Gallery
明清画 赵孟頫狩猎图
Mounted huntmen with falcon striking a swan
Artist: Zhao Mengfu, 1254-1322
Medium: Ink and color on silk
Dimensions: H x W (image): 94.6 x 67.5 cm (37 1/4 x 26 9/16 in)
Type: Painting
Origin: China
Topic: bird, falcon, hunting, swan, Ming dynasty (1368 - 1644), Qing dynasty (1644 - 1911), China, Chinese Art, horse and rider
Credit Line: Gift of Charles Lang Freer
Date: 17th-19th century
Period: Ming or Qing dynasty
Accession Number: F1911.533
Data Source: Freer Gallery of Art and Arthur M. Sackler Gallery
明清画 赵孟頫天马图
明清画 赵孟頫作品
