唐大曲,Daqu in the Tang Dynasty
1)Daqu in the Tang Dynasty唐大曲
1.This paper reviews relevant literature and theories of different schools in history and further proposes practical approaches of music analysis in the study ofDaqu in the Tang Dynasty.唐大曲是中国古代音乐史中一个重要的概念,从古至今,有大量的研究着力于此,为挖掘、传扬唐大曲做出了贡献。
英文短句/例句
pared Daqu in Tang Dynasty With Daqu in Han-Wei Dynasties and Daqu in Song Dynasty唐大曲与汉魏大曲、宋大曲的比较研究
2.The Song Daqu tunes, however, were generally selected from the part of Tang Daqu, and were much simpler但宋大曲一般只取唐大曲的一部分，称为"摘遍";宋大曲的结构也已较唐大曲简单。
3.The names of some 40 or 50 Tang Daqu works are known;唐大曲现知有四五十部之多。
4.Study on the Construction and Differsnces of Daqu of Han & Wei, Sui & Tang Dynasty;汉魏、隋唐大曲结构及其差异性研究
5.The structure of Tang Daqu was extensive, consisting of 20, 30 or even 50 sections.唐大曲的结构比较庞大，有20几段、30几段其至50几段的。
6.On the Relation between Hanquof Liaoning Guchuiyue (drum and suona music) and Daqu of the Tang Dynasty;浅析辽宁鼓乐“汉曲”与唐代大曲的关系
7.Again towards Fantasticality to deduce the Remote Wilderness ──An Analysis of the Structure of the fantasy of" The Dream of the Red Mansion;又向荒唐演大荒──《红楼梦》幻曲结构析说
8.The form of Daqu which developed during the Tang Dynasty, combining instrumental music, singing and dancing, was a comparatively sophisticated artistic achievement唐代发展形成的"大曲"，集器乐、歌、舞于一体，是一种较高的艺术形式。
9.A Primary Study on the Music of Northern Chinese Ethnic Groups During the Han and Tang Dynasties from the Qin Repertory Da Huja and Xiao Huja;从琴曲《大胡笳》《小胡笳》试探汉唐时期北方少数民族音调
10.Mode Formation of Daqu in Tang Dynasty and Its Influence on East Asia唐代大曲宫调理论的形成及其对东亚乐调发展的影响
11.Shengshi Poetry and Jueju as the Preliminary Form of Quci in the Tang Dunasty;论盛唐声诗和绝句为唐曲词发生的前夜
12.The Characteristics of Peoms to Express Goodbye by People s in Tang Dynesty from the View of Frontier Forts;从唐代边塞诗看唐人的送别新曲——唐代边塞诗系列研究之六
13.The company originates carving, originating from Han Dynasty and flourishing at Tang Dynasty, has a long history in which outstanding sculptors emerged endlessly.曲阳石雕艺术传统源源流长，始于汉、于唐，历代雕刻大师层出不穷，在国内外久负盛名。
14.Graceful Bearing of the Flourishing Tang Dynasty --Society of the Tang Dynasty Shown by Painting of Maids of Honour at That Time大唐的风韵——唐朝仕女画所表现的唐朝社会
15.That"s the overture to Mozart"s Don Giovanni.那是莫扎特的《唐·吉奥瓦尼》的前奏曲。
16.a new type of folksong which flourished in Sui and Tang times is called "quzi".隋唐时期新兴起的民歌称"曲子"，
17.The Influence of "Selecting Poems into Music"on Tang Poetry;从“近代曲辞”看“选诗入乐”对唐诗的影响
18.The Social Functions of the Jambic Verse of the Tang and Song Dynasties:A Perspective of Popular Songs;从流行歌曲视角看唐宋词的社会功能
相关短句/例句
Daqu of the Tang Dynasty唐代大曲
1.The Changes from Xianghege toDaqu of the Tang Dynasty;从相和歌到唐代大曲的演变
3)Sui Tang Daqu隋唐大曲
4)Study on Da-qu of Tang Dynasty唐大曲考
5)modes of music in Daqu in the Tang Dynasty唐大曲宫调
6)Development and Evolvement of the Grand Piece of Song and Dance in Tang Dynasty唐大曲之流变
延伸阅读
阿斯塔那出土唐代锦鞋阿斯塔那出土唐代锦鞋唐代锦鞋珍品。1968年新疆吐鲁番阿斯塔那北区第381号墓出土。同墓出唐大历十三年（778）文书。鞋长29．7厘米，宽8．8厘米、高8．3厘米。制成云头形，做工精致。计使用了三种锦：鞋面是用黄、蓝、绿、茶青四色丝线织成的变体宝相花平纹经锦；鞋里衬是用蓝、绿、浅红、褐、蛋青、白六色丝线织成的彩条花鸟流云平纹经锦，其中蓝、绿、浅红三色施晕繝，这是目前所知店代最绚丽的一种晕繝锦；鞋尖和锦袜同用一种由大红、粉红、白、墨绿、葱绿、黄、宝蓝、墨紫八色丝线织成的斜纹纬锦，图案为红地五彩花，以大小花朵组成花团为中心，绕以各种禽鸟，行云和零散小花，外侧又杂置折枝花和山石远树，近锦边处还织出宽三厘米的宝蓝地五彩花卉带状花边。整个锦面构图繁缛，形象生动，配色华丽，组织也极为致密，反映了唐代中期织造斜纹纬锦的高度水平。鞋内还附有黄色回纹绸垫一双，绸面光平，回纹匀整，表明当时一般丝织物的技艺也非常精湛。
