朱仙镇木版年画,Zhuxian town wood engraving picture
1)Zhuxian town wood engraving picture朱仙镇木版年画
英文短句/例句
1.On Brand Re-positioning of Zhuxianzhen Woodcut Printed New Year Picture;朱仙镇木版年画品牌再定位策略研究
parison between Zhuxianzhen Graphic Arts and Ukiyoe;朱仙镇木版年画与日本浮世绘之比较
3.The Treasure of Folk Art --The New Year Wood Engraving in Zhuxianzhen;民间艺术的瑰宝——朱仙镇木版年画
4.The Design Consciousness and Modern Usage of Zhuxian Town New Year Xylograph;朱仙镇木版年画的设计意识及其现代应用
5.The Traditional Passing on and Inheriting Mode of Zhuxian Town Wood Engraving Picture and Contemporary Thinking;朱仙镇木版年画的传统传承模式及其当代思考
6.Artistic Features and Model Language of Zhuxianzhen s Wood Engraving;论朱仙镇木版年画的艺术特色及程式化语言
7.Zhuxianzhen, Yangliuqing & Mianzhu Three Place New Year s Painting Color Characteristic Comparison Studies;朱仙镇、杨柳青、绵竹三地木版年画色彩特征比较研究
8.On the Use of Colors of the New Year pictures of Zhuxianzhen;朱仙镇古版年画中五色审美的偏色研究
9.Zhuxian Town Pictures Artistic Characteristics and Cultural Features朱仙镇年画艺术特色及民俗文化功能
10.New year pictures design of shape and color in Zhuxian Town;照花前后镜 花面交相映——朱仙镇年画中的造型设计与色彩设计
11.The Severer Danger of Zhuxianzhen s Woodcut Painting in Modern Times from the Fall of Narrative Space;从叙事空间的失落看朱仙镇年画在现代社会的濒危
12.Investigation and Thought of New Year Woodcut made in Yangjiabu,Weifang对潍坊杨家埠木版年画的调查及思考
13.The Study on Inheriting and Propagating Design in the Yangliuqing Wood Lunar New Year s Painting;杨柳青木版年画传承与传播设计研究
14.Researching about Gusu Engraving of Taohuawu Woodcutting New Years Prints;苏州桃花坞“姑苏版”木刻年画研究
15.Study on the Images of Female Figures in Chinese New-year Folk Wood Engravings of Qing Dynasty;清代民间木版年画女性人物图像研究
16.A Study on the Origin of Fengxiang Board Pictures and its Aesthetic Value;凤翔木版年画源流及其美学价值初探
17.The Development and Evolution of Door-God s Modeling in the New Year s Graphic Pictures;木版年画中“门神”造型的发展与演变
18.Inheritance Way of Modern Graphic Wooden Arts in Liangping梁平木版年画工艺当代传承方式研究
相关短句/例句
Zhuxianzhen"s woodcut painting朱仙镇年画
3)Wood Engraving Picture木版年画
1.The Protection and Development of Folk Art of the YangjiabuWood Engraving Picture in Weifang;潍坊杨家埠木版年画民间工艺的保护与开发
2.Established in the Qing Dynasty and passed down for four generations, Shunxing Qiji is a representative workshop producing wood engraving pictures with delicate craftsmanship in Gaomi,Shandong.山东高密“顺兴齐记”作坊是清代创立并经过四代人传承下来的年画作坊,是高密木版年画的典型代表。
4)Woodcut New Year"s Paintings木版画年
5)Zhuxian Town朱仙镇
1.On the Color of Wooden New Year Drawing inZhuxian Town;论朱仙镇木版年画的色彩表现
2.A Probe into the Fall and Rise ofZhuxian Town;朱仙镇衰落原因与复兴途径试探
3.Research on the Decorative Artistic Form of the Woodcut New Year s Painting ofZhuxian Town;朱仙镇木版年画装饰艺术形态研究
6)Zhuxianzhen朱仙镇
1.Artistic Features and Model Language ofZhuxianzhen s Wood Engraving;论朱仙镇木版年画的艺术特色及程式化语言
2.On Brand Re-positioning ofZhuxianzhen Woodcut Printed New Year Picture;朱仙镇木版年画品牌再定位策略研究
3.Zhuxianzhen, Yangliuqing & Mianzhu Three Place New Year s Painting Color Characteristic Comparison Studies;朱仙镇、杨柳青、绵竹三地木版年画色彩特征比较研究
延伸阅读
朱仙镇木版年画朱仙镇木版年画我国中原地区的一种民间木刻画。因产于河南朱仙镇而得名。《东京梦华录》载，北宋时期，汴京一带木版年画已相当繁盛，每逢岁节，市井皆印卖灶马、门神等。明代中期到清初，朱仙镇有木版年画作坊三百多家，生产门神、红纸等。风格粗犷浑厚、构图饱满、色彩鲜丽、造型夸张。品种有武门神、文门神、神像图、戏出和挂笺等。武门神又分将军、武财神、勇士型等；文门神又分祈福、童子和辟邪型等。印制手法主要是雕版水色套印，一般为六版一套，有的多至九版。色彩以暖色为主。多数人物脸部采用白脸、红眼皮，这是它特有的装饰手法。在印刷时采用透明水色，套版印刷后，色彩中微显木纹，突出了木版年画的艺术特点。现在朱仙镇已成立了木版年画社。
