民间木版画,folk woodcut painting
1)folk woodcut painting民间木版画
1.This thesis explores the cause of its origination and development of thefolk woodcut painting from the perspective of its geographical position and culture in Changjiang River area.本文从民间地域文化角度探究长江流域民间木版画产生和发展的原因 ,证明长江流域十分发达的古代雕刻技艺以及木版印刷术、造纸术为本地域民间木版画的孕育和发展提供了良好的生长环境 ,长江流域民风时尚的需求、宗教文化及经济文化的发展也对民间木版画的生长和发展起着催化和促进作用。
英文短句/例句
1.Longdong, Longzhong Regions Folk Woodcut Status and Consider of Cultural陇东、陇中地区民间木版画现状及文化思考
2.The Creative Transformation of Language Characteri of Folk Woodcut in Graphic Design;民间木版画的视觉语言在平面设计中的创造性转化
3.Study on the Images of Female Figures in Chinese New-year Folk Wood Engravings of Qing Dynasty;清代民间木版年画女性人物图像研究
4.The Treasure of Folk Art --The New Year Wood Engraving in Zhuxianzhen;民间艺术的瑰宝——朱仙镇木版年画
5.The Protection and Development of Folk Art of the Yangjiabu Wood Engraving Picture in Weifang;潍坊杨家埠木版年画民间工艺的保护与开发
6.Study on the Image of North and South Figures in Chinese New-year Folk Woodcut of Qing Dynasty;清代南北方民间木版年画人物造型比较研究
7.The Current Situation Survey and Protection Research on Shandong Folk New-year Paintings of Wood Engraving;山东民间木版年画现状调查与保护研究
8.Look at Creation Life of Folk’s Traditional Fine Art from Festival Woodcuts in Fengxiang;从凤翔木版年画看民间传统美术创作的生命
9.Historical Change of Female Image on Woodcut New Year Pictures of the Qing Dynasty清代民间木版年画女性人物图像的历史变迁
10.Study on the Ethnical Features of Yanan Xylographs during the Chinese Anti-Japanese War;抗战时期延安木刻版画民族特色研究
11.Theory on National Feature of Yan an Woodcut During the Period of the Anti-Japanese War;论抗战时期延安木刻版画的民族特色
12.Zhang inherited the legacy of traditional Chinese clay figurine making skills and also incorporated skills from other art forms such as painting, opera singing and Chinese folk wood engravings.张明山继承传统的泥塑艺术，从绘画、戏曲、民间木版年画等姊妹艺术中吸收营养。
13.etchings, woodcuts, lithographs;蚀刻、木刻、平版画；
14.He was familiar with Chinese folklore and had absorbed many skills from folk lantern painting, fan painting and wood block printing.他比较熟悉民间生活，吸收了灯画、扇画、版画等民间美术中的营养。
15.The Influence of Palace Copperplate Engravings on Folk Spring Festival Pictures during the Qing Dynasty;论清代宫廷铜版画对清代民间年画的影响
16.“Jian an Engraving”--Popular Way of Reading Pictures by Ancient Folks;无书不图的“建安版画”——古代民间大众的读图方式
17.An Analysis of the Differences between Japanese Yamato-e and the Chinese Tao Hua Wu New Year Woodblock Prints Form the Point of Nationality;从民族性格解读日本浮世绘与中国桃花坞木版年画
18.Traditional Wood Block and Wood Carving in Gansu远古神韵:甘肃传世木版画和木雕塑
相关短句/例句
Chinese New-year Folk Wood Engravings民间木版年画
1.Study on the Images of Female Figures inChinese New-year Folk Wood Engravings of Qing Dynasty;清代民间木版年画女性人物图像研究
3)folk wood block print民间木刻版画
1.With a history of more than one thousand years, thefolk wood block print has practical and aesthetic values blended like milk mingling with water.实用性与审美性交融的民间木刻版画迄今已有上千年历史。
4)Chinese Folk Woodcut Painting中国民间木版年画
1.During the more than 2000 years in the history ofChinese Folk Woodcut Painting, its beautiful versatility of subject matter has always closely reflected the customs of the people.中国民间木版年画有两千多年的历史 ,在漫长的历史长河中 ,它广泛的题材和丰富的内容始终紧贴民风民俗 ,它那独特的造型手段和色彩表现方法始终受到人民大众的喜爱 ,而且长久兴盛不衰。
5)Folk woodblock of new year print in HanZhong汉中民间木版年画
6)xylograph[英]["zail?grɑ:f][美]["za?l?,gr?f]木刻版画
1.This essay studies the effort for ethnical tastes of the Yananxylography during the ChineseAnti-Japanese War.本文研究抗战时期延安木刻版画的民族特色及其形成原因，以对抗战时期延安木刻版画作品的思想、艺术分析为基础，将抗战时期的延安木刻版画放在中国近现代史和中国美术发展史的背景下加以考察，论证延安木刻版画民族特色画风，是抗战这个特殊历史时期，在延安这个特殊的革命环境中，在共产党领导下的延安艺术家们，深入生活，深入北方农民和抗日战士，充分汲取有浓郁地域特色的黄土民间文化和艺术，从而逐渐形成具有强烈的斗争性、政治倾向性和鲜明的民族艺术风格。
延伸阅读
木版1.见"木板"。
